Book 43: "Forests of the Heart" by Charles de Lint
Wednesday, June 3rd, 2009 12:23'So these wolves that come to our yard,' Bettina tried. 'En otros palabras - in other words. They are evil?'
Nuala shook her head. 'Not as you're using the word. Long ago, they followed the Irish emigrants to the New World, but this land already had its own guardian spirits. So there was no place for them. But here they remain all the same. They are homeless, unbound, and they neither feel nor think the way we do. When the Gentry gather in a pack they can be like a wild hunt, ravening and hungry for blood, but even on an individual basis, they're not to be trusted.'
There are a couple of very stupid people in this book. For all their knowledge about the Gentry and other fairy folk, they have not grasped this one basic truth about the inhabitants of the spirit world. They are dangerous and untrustworthy and anyone who thinks that they will stick to their side of a bargain is a fool. Miki understands this and I am sure that even Chantal, whose only knowledge of such things comes from fairy tales she was told as a child, would too, so why don't they?
Charles de Lint does irritate me quite a lot. In this book there is the way he has Bettina say a phrase in Spanish and immediately afterward repeat it in English, which gets tiresome quickly. And then there's the info dump about music since some of this book's characters work in a record shop. In the last book of his that I read the info dump was about guitar making since the protagonist was a luthier. But music and especially Celtic music seems to be an obsession of the author's. So your characters have great taste in music and are therefore cool and artistic and allowed to have contact with the spirit world. I get it! You can stop the constant name-dropping of musicians!
But the story was good, and I did enjoy it.
Nuala shook her head. 'Not as you're using the word. Long ago, they followed the Irish emigrants to the New World, but this land already had its own guardian spirits. So there was no place for them. But here they remain all the same. They are homeless, unbound, and they neither feel nor think the way we do. When the Gentry gather in a pack they can be like a wild hunt, ravening and hungry for blood, but even on an individual basis, they're not to be trusted.'
There are a couple of very stupid people in this book. For all their knowledge about the Gentry and other fairy folk, they have not grasped this one basic truth about the inhabitants of the spirit world. They are dangerous and untrustworthy and anyone who thinks that they will stick to their side of a bargain is a fool. Miki understands this and I am sure that even Chantal, whose only knowledge of such things comes from fairy tales she was told as a child, would too, so why don't they?
Charles de Lint does irritate me quite a lot. In this book there is the way he has Bettina say a phrase in Spanish and immediately afterward repeat it in English, which gets tiresome quickly. And then there's the info dump about music since some of this book's characters work in a record shop. In the last book of his that I read the info dump was about guitar making since the protagonist was a luthier. But music and especially Celtic music seems to be an obsession of the author's. So your characters have great taste in music and are therefore cool and artistic and allowed to have contact with the spirit world. I get it! You can stop the constant name-dropping of musicians!
But the story was good, and I did enjoy it.