kittiwake: (stormclouds)
This is the first of the Tony Hill/Carol Jordan series that I have read, and as it's the 6th and latest book in the series, it probably wasn't the best one to start with. That said, the relationships between the members of the MIT squad and Dr Hill were clear and enough of the back-story was included that I didn't feel lost. Although I've never watched "Wire in the Blood", even having seen the trailers over the years meant that I was picturing Robson Green and Hermione Norris as Tony and Carol.

The relationships between the characters were believable, but the murder mystery was a bit lame. It relied too much on coincidence and in some places the investigators seemed a bit dim and slow on the uptake for a squad of supposed high-flyers. I'm sure most readers would have guessed what "ur real" in Jennifer's web-chat might have been referring to, whereas the police and the profiler didn't have a clue. And when they were wondering how the main suspect might have found his victims, it never occurred to them that what he did for a living might have anything to do with it!

However, it was still an enjoyable read, and I will read the other books in the series if they come my way. The ending makes me think that this could well be the last book in the series, but at least I will be able to read the earlier books without worrying too much about what will happen to the main characters.
kittiwake: (travel)
Book 5 of the Avignon Quintet

He put on his single-minded look and gazed around him like a blind buzzard. He had borrowed the look from a bust of Napoleon on St Helena which stood on his desk at home.

After the war everyone converges on Avignon, staying with Lord Galen until Constance's house is fit for occupation. With Lord Galen and the Prince unsure whether to commit any more time and money to the search for the Templar treasure, the group hires a bus and heads for the gypsy festival at Saintes Maries de la Mer (another place I have visited, although not during the gypsy festival), to see whether the gypsy fortune-tellers will agree with an Egyptian who told the Prince that he should keep on with the treasure hunt for another six months. When Constance later contacts German double-agent Smirgel in an attempt to find out what happened to Livia during the war, he asks her to put hiom in touch with Lord Galen, claiming to know the whereabouts of the Templar gold, but can he be trusted?

When it gets on with telling the story this is an interesting book, probably my second favourite after "Monsieur", but I could do without the endless digressions into philosophical waffle. As for tying up loose ends, I did find out what happened to Hilary, Livia and Constance's brother, which I had been wondering about since he hadn't been mentioned since that summer before the war, but I liked the ambiguous ending with a festival at the Pont du Gard, as I don't need all my loose ends tied up.
kittiwake: (Default)
Book 3 of the Avignon Quintet

Immortality must feel something like this for a poet. Suppose I were to tell you that here, in perfect peace, we sail eastward under cloudless skies upon a windless cerulean sea with not one Homeric curl in it . . . The Khedive is the royal yacht which is carrying us to Egypt and safety. No, it is totally unreal to find myself here under an awning of brightly striped duck, lounging beside the calm Prince, drinking a whisky and soda with grave reflective delight. Contemplating the abyss which has opened at our feet - the war.

Europe is on the brink of war, and the young people who spent the summer at Tu Duc are about to go their separate ways. Constance is returning to Geneva to finish her psychoanalytic studies after a hurried marriage to Sam who has already joined up, Livia has disappeared and is thought to be in Germany, Felix will move on to another posting after closing down the Avignon consulate, and Blanford is hoping to escape the war entirely by going to Egypt as the Prince's secretary.

Sutcliffe and Toby turn out to be real people, much to the surprise of Constance who meets them in Geneva when Sutcliffe's wife Pia becomes her patient. However, both Blanford and Sutcliffe still see them as being characters invented by Blanford, and when Blanford and Sutcliffe finally meet, they discuss the book(s) they are writing, which are two versions of the same story. So it's all very convoluted, with much blurring of the boundaries between what is real and what is not. The story doesn't even really match what happened in the earlier books in the series. According to them, Blanford has a long unhappy marriage with Livia, who tortures him for years with her manipulative behaviour, mysterious disappearances and lesbian affairs, but in this book their relationship only really lasts for a single summer in 1939. By the time the war starts, they may be married or engaged (it's not clear which as it only says that Blanford has given Livia a ring), but Livia has disappeared into Germany, and by the end of the war she is dead, so they never meet again. I suppose this is linked to the way that in the first book it was never clear to me whether Sutcliffe's wife Pia was dead, or if he just wrote about her as if she was dead because he couldn't bear that she had left him.

I liked this book rather more than I enjoyed "Livia", the previous book in this series. The only part I didn't enjoy was when Constance and Affad got together. There was way too much information about the first time they made love (blood everywhere!) and for me it went rapidly downhill from there, with Constance becoming increasingly annoying as she wholeheartedly embraced Affad's odd theories on relationships between men and women, and expounded on them to anyone who would listen.
kittiwake: (Default)
"I am on the way to my first be-in," I told the bartender, "so I believe I will have a very dry Martini."
"What's a be-in?" the bartender asked me.
"A be-in is where everybody gets together and Is," I told him. "Love. Creativity. Music and happy and flowers." I took the be-in handbill out of my purse and consulted it. "Also Cecil Immensetter will read aloud his visualised Found Poem of Western History," I added. I put the handbill back into my purse and said, thoughtfully, "As a matter of fact, now that I think about Cecil and his visualised Found Poem I believe I'll change that to a double Martini."


I read the first couple of pages at the last BookCrossing in order to find out what this book was about, as it is an old hardback with no dust jacket, and then read a few more pages, and then decided to take it home with me. It's the story of how Irene Kampen returned to the University of Wisconsin to get the last few credits she needed to get her degree, 25 years after she left to get married in the middle of her senior year in 1943. Returning in 1968, the campus is full of hippies and rife with student protests, so it's a bit of a culture shock, especially when her room-mate and her friends, while friendly, tend to treat her as if she was out of the ark, and seem to think that she was last there in the flapper era rather than during WWII. She also gets drawn into socialising with members of the faculty after one of her lecturers realises that they were both in the same sorority.

A very amusing memoir, which rather reminded me of "Confessions of a Failed Southern Belle" in style.

"Welcome back," the bartender said to me. "How was the be-in?"
"It Was," I said. "Double Martini?" the bartender asked. I nodded. "How was Cecil Immensetter's visualised Found Poem of Western History?" he inquired.
"Long", I said.
kittiwake: (Isis)
Surprised at the resentment shown by Guan's neighbour, Chen said, "No matter in what position we work, we're all working for socialist China."
"Working for socialist China?" her voice rose querulously. "Last month I was laid off from the state-run factory. I need to feed my son; his father died several years ago. So making dumplings all day is what I do now, from seven to seven, if you want to call that working for socialist China. And I have to sell them at the food market at six in the morning."
"I'm sorry to hear that Comrade Yuan," he said. "Right now China is in a transitional period, but things will get better."
"It's not your fault. Why should you feel sorry? Just spare me a political lecture about it. Comrade Guan Hongying did not want to make friends with us. Period."


Guan Hongying, whose given name meant Red Heroine, was a national model worker whose life was held up as an example to all China, but she still ended up dead, wrapped in a garbage bag and dumped in a little-used canal.

This is the first in a series of police procedurals set in a rapidly-changing Shanghain in the 1990s. Chief Inspector Chen Cao has been promoted due to his current role due to the patronage of Party Secretary Li, and his colleague Detective Yu is resentful about this, but they knuckle down to investigating the murder, even when a surprising development leads to political ramifications that could threaten both their careers.

One thing that comes through clearly in the book is how elderly people, finding it hard to make ends meet on their pensions as inflation soars, are taking part-time jobs to earn extra money. There is Commissar Zhang, whose advice Chen has to listen to although Party Secretary Li tacitly makes it clear that does not need to follow it, an old woman selling ices in the street, for some reason still wearing an ancient Best Socialist Mobile Service Woman* armband, Uncle Bao, who runs the telephone kiosk outside Guan's building and provides the clue that leads to a breakthrough in the stagnating case, and Detective Yu's old father, Old Wang, an ex-policeman who patrols the local market and warns Chen when he is straying into dangerously political waters.

A fasinating story due to its setting, but the mystery is not in fact very mysterious at all, and the policemen are not terribly proactive in their investigations.


* euphemism for prostitute
kittiwake: (history)
While I question her taste, her judgement, her misplaced priorities, and her inappropriate sense of humour, she does indeed have one fine quality - she is honest. If she says she will honour the good name of your literary society, she will do so. I can say no more.

I read this for a book club, and was not in fact very keen on doing so, but the postscripts to the first two letters made me laugh which was a good start, and I did enjoy reading it. Throughout the book, humorous letters were interspersed between the sadder of the letters describing the German occupation of Guernsey, so there was never any risk of me crying on the train to work (it's always annoying when I am stuck on the train with a perfectly good book that I could be reading, but have had to put it back in my bag because I have reached a particularly sad point in the story).

There was one thing that I found unbelievable, and which kept breaking the spell of the book for me. The members of the literary society, having brought up Kit perfectly well for the past two years, basically just dump her on a virtual stranger who has only come to the island temporarily, and although Juliet is supposed to be spending her time in writing a book, she doesn't object at all about being expected to do all this child care. Most unlikely if you ask me.
kittiwake: (history)
If Homo sapiens were to mutate again and shake the kaleidoscope of particles that makes him, it is possible that he could retain his modern mind by losing his madness. Possible. But the truth is, we have always, from the moment of our origination, been a profoundly flawed species - mad in the basic particles of our being, radically insane - and the building of the great asylums only served to show us the magnitude of our madness, as the rural lunatics were gathered up and put beneath one roof with their urban cousins for the first time. Psychosis, ladies and gentlemen, is the price we pay for being human.

This was an interesting novel, and could have been more so, but there was so much detailed information about developments in the understanding of mental illness in the late 19th and early 20th century, that it tended to drag at times. If I wanted that much information, I would read a non-fiction book on the subject. When Jacques and Thomas gave public speeches outlining their theories, I really didn't need to read the whole texts of the speeches, pages and pages of i, but the worst example of this info-dump came when Thomas was in Africa. He decided to remove the brain from a dead Masai guide, not because he thought the brain would be in any way different from that of a European, but merely in order to pontificate on his theories about the link between evolution, consciousness and madness in tedious detail to the big game hunter he was travelling with, who eventually said he didn't want to hold the brain any longer and went off to bed, leaving Thomas talking to himself.

Apart from that, the main problem was that the main characters weren't particularly likeable or engaging, and never really drew me into their story, so I didn't really care what became of the two main couples. The thirty pages following Daniel's time as a soldier in Flanders and Italy during WWI were moving but didn't really seem to fit in with the rest of the book, and when the focus returned to his parents, uncle and aunt for the last few pages of the book, it only emphasised how little I had engaged with them.
kittiwake: (travel)
Tuck stared out at the ocean for a moment, wondering whether it was time to give this gift horse a dental exam. There was just too damn much money showing on this island.

When pilot Tucker Case foolishly goes for a drunken flight with a hooker who wants to join the mile high club, and crashes his boss's plane, he loses his pilot's licence and is lucky to escape with his life. Out of the blue, he is offered a lucrative job flying a Lear jet for a mission doctor on an out of the way island in Micronesia, but it isn't long before he starts thinking that there must be a catch.

It is a comedy with disturbing undertones which gradually becomes more and more sinister. It; is the first of this author's books that I have read, and I was surprised that it featured such sinister goings on. Back in the 80s, I read several of the M*A*S*H books, and the tone of this extremely funny novel really reminded me of them.

"Island of the Sequined Love Nun" is a very enjoyable book, and gets bonus points from me for including a map of the island.
kittiwake: (stormclouds)
Next he came to a small study, with an open bureau bearing a Halda typewriter, documents in pigeon-holes, a pile of dusty correspondence papers which he blew at gently until the name and address were legible. From it he learned that the house's owners had been called Eriksson, that they were indeed in Sweden, near a place called Umeå, which he would have to look up on a map when he got home, and something else which struck him as simply incredible!
Their skelter code was printed on the letterhead!


The skelter is a transportation device that lets you walk through its door and out of any other skelter on the planet, as long as you know its code. There are even skelters that open straight into to the heart of an incinerator, although their codes are strictly controlled to stop people making use of them to dispose of dead bodies and other evidence of criminal activity, rather than just rubbish.

Supposedly the invention of the skelter caused worldwide devastation, as there was originally no way of preventing access to anyone who knew the code. As well as facilitating robbery and crimes of violence, it also allowed terrorists and saboteurs easy access to plant bombs and make a quick getaway to the other side of the world, and allowed diseases to spread with impunity. The human race has been decimated by the skelter, and a disease called contagious puerperal fever has led to a gender imbalance, with 5 men to 3 women (and not many of them are fertile, since any woman not immune to CPF is sterilised for their own safety). Now that a device called the privateer has been invented that allows you to screen incomers to your skelter, and deny them access, the elite, skelter using population tend to live on islands, although there are some people who are 'stuck', unable to bring themselves to walk through the door of a skelter, for fear of what might happen, and there are also skelter-hating populations living at a lower technological level. Stealing skelter codes or using them to invade someone's privacy is punishable by being forced to wear a bracelet that prevents access to the skelter system.

I can't see that anyone would actually want to have such an insecure device providing access to their homes. In reality, the rich might have private skelters (although I am sure that they would be placed just outside their well-guarded perimeter defences), but I am sure that everyone else would just use public skelters.
kittiwake: (history)
I felt an interest in the scene, from the consideration that these fleeting customs were passing fast into oblivion, and that this was, perhaps, the only family in England in which the whole of them were still punctiliously observed. There was a quaintness, too, mingled with this revelry, that gave it a peculiar zest: it was suited to the time and place; and as the old manor-house almost reeled with mirth and wassail, it seemed echoing back the joviality of long-departed years.

First published in 1822, this book tells of a young American travelling in Europe in the years after the Battle of Waterloo. Happening to meet his friend Frank Bracebridge at a coaching inn, he is invited to spend Christmas at his father's house, and later returns to Bracebridge Hall to attend the wedding of one of Frank's brothers. Given Squire Bracebridge's love of keeping up the old traditions (he thinks that travelling in coaches rather than on horseback has led to the English becoming effete shadows of their ancestors, and laments the changes wrought by the industrial revolution), he finds that the family and the inhabitants of the nearby villagers live in the style of earlier centuries as much as possible. An enjoyable Christmas read.
kittiwake: (stormclouds)
"I'll probably be back here around five in the morning for a snack," he says. "I'll be hungry again. I hope I see you then."
"Why?"
"Hmm, I wonder why."
"'Cause you're worried about me?"
"That's part of it."
"'Cause you want me to say hi to my sister?"
"That might be a little part of it, too."
"My sister wouldn't know the difference between a trombone and a toaster oven. She could tell the difference between a Gucci and a Prada at a glance, though, I'm pretty sure."
"Everybody's got their own battlefields," he says with a smile.


A short book, whose events take place over the course of one night. So soon after reading "Grotesque", it was strange to read another Japanese book, featuring both a young woman who is jealous of her beautiful sister, and illegal immigrants from China. However, although Mari Asai is insecure, she is not so insanely jealous of her elder sister Eri as the protagonist of "Grotesque", and her meeting with the tomobonist Takahashi and the women who work at the Alphaville love hotel seems likely to be a turning point in her life.

To start with I wasn't sure that the story was going to go anywhere, but as soon as Kaoru appeared and asked Mari to interpret for a Chinese prostitute, I began to enjoy it, and at a couple of hundred pages long, it is well worth a few hours of your time.
kittiwake: (stormclouds)
"This party of yours. An elaborate piece of self-gratification. You must always take it out of somebody, mustn't you? Life is one log revenge for your own shortcomings."
"You've been reading the Russians," I said. Nothing else. It was furiously annoying.


I found this book virtually unreadable despite some enjoyable flashes of wit, as in the quotation above. Every time I picked it up again, the page my bookmark was in looked unfamiliar and I had to re-read a couple of paragraphs in an attempt to re-orientate myself. I gave up around page 64, as I couldn't see that it was likely to improve.
kittiwake: (Isis)
'How to find our way back? How to realize a whole vision of life? Not some self-sealing intellectual construct; no shabby, patchwork compromise, but a regenerative, transcendent change. One that reconciles matter with spirit, heart with mind, the female in us and the male, the darkness and the light. That was the problem which engaged the spiritual intellect of the true alchemist. That was the Elixir, the Stone, the Gold . . . aurum non vulgi - no common gold. they are all symbols for what cannot be said - only experienced. As is', he added pointedly, 'the chymical wedding - the promise of which you saw celebrated in your dreams.'

In the Norfolk village of Munding in the middle of the 19th century, Sir Henry Agnew struggles to transform hermetic secrets into poetry, while Louisa Agnew, his daughter and alchemical soror mystica, decides to write a book that will act as an introduction to her father's work. In the 1980s a poet called Alex Darken comes to the village to lick his wounds after the collapse of his marriage, and becomes entangled with the elderly poet Edward Nesbit and his young lover Laura, who are investigating the Agnews' work and the mystery of Louisa's frater mystica.

I thought that this would be my type of book, since it features alchemy, green man and a church with a sheela-na-gig embedded in its wall. Unfortunately, both eras were peopled with obsessive drama queens, and by 120 pages from the end I had lost patience with their idiotic behaviour. As I was so far through I forced myself to finish it anyway, but it's my least favourite book of the year so far.
kittiwake: (history)
"Say you know something? I get nightmares now and then. About how I punch my code into the board and the signal comes back: deeveed!"
Ina said, "Me too! And I can't believe we're the only ones."


This book was written in the mid-1970s, and inspired by the concepts in Alvin Toffler's book "Future Shock", but it hasn't dated. Its themes of government conspiracy, and the population's inability to cope with the rapid range of change in the modern world are still as relevant today as they were back then, and it leaves you with plenty to think about.

Nickie Haflinger is not a likeable protagonist, however. He is extremely arrogant and excessively proud of his self-control, while actually being prone to showing off and getting himself noticed, which is the last thing he needs to happen.
kittiwake: (history)
It was the hair, I think, which drew me most. If I had ever seen women with hair as short as hers, it was because they had spent time in hospital or prison; or because they were mad. They could never have looked like Kitty Butler. Her hair fitted her head like a little cap that had been sewn, just for her, by some nimble-fingered milliner.

Nancy's story is a roller-coaster ride, as she goes from oyster girl to theatrical dresser, music-hall artiste, rent boy, and kept woman, before eventually finding her niche in life. It's interesting how slang terms change their meaning over the years - In 1890s London, a tom is a lesbian, while a gay girl is a prostitute.

This is the third Sarah Waters book that I have read, and although I enjoyed this one very much, I think "Affinity" is still my favourite.
kittiwake: (stormclouds)
Civilisation as we know it is corrupt. It may be doomed; there are plenty of omens. Its foundations are rat-eaten, its towers go up unsteadily into the lowering clouds, where drone the hidden battle-planes. But it can, and does, supply its young daughters with luxuries at a price they can afford. No woman need be dowdy, or shabbily genteel. while she has a few shillings to spend on clothes, she can buy something pretty and cheerful. This may not be much, but it is something. Tomorrow we die, but at least we danced in silver shoes.

A delightful tale from the late 1930s, from the author of "Cold Comfort Farm". As in that book, the story starts with a young woman going to live with relatives, but Viola is a young widow moving in with her in-laws, and she is not a domineering character like Flora Post so it is someone else who turns the household upside-down.
kittiwake: (Default)
Two sequels to "Odd Thomas", which I read last year.

Forever Odd

The flesh on the nape of my neck did the crawly thing that it does so well. Some people say this is God's warning that the devil is near, but I've noticed I also experience it when someone serves me Brussels sprouts.

Odd Thomas, a young man living in a small desert town in California, has the power to see the lingering dead. When he is woken one night by the ghost of Dr. Jessup, his friend Danny's father. Going over to his house, he finds Dr Jessup dead and Danny missing. But this time danger threatens Odd himself rather than the whole town.

Brother Odd

The wintry morning ticked toward whatever disaster might be coming. Recently I had learned that really brainy guys divide the day into units amounting to one millionth of a billionth of a billionth of a second, which made each whole second that I dithered seem to be an unconscionable waste of time.

Needing to recuperate after the events of the first two books, Odd Thomas has spent the last few months living in the guest quarters of St. Bartholomew's Abbey in the Sierra Nevada. Surprisingly humorous in parts, such as Odd's discussion with the Mother Superior about which of the monks would be most suitable to help Brother Salvatore (aka Brother Knuckles) defend the abbey against the coming supernatural dangers.
kittiwake: (Default)
'And to think they only started off building fruit cages,' said Tam.
'Who?' I asked.
'The company.'
'Did they?'
'That was before your time. Or yours, Rich. Raspberries mainly.'
'To stop them escaping? asked Richie.
'Er . . . No. Not really . . . no.'


Deadpan humour in this story of Scottish fencers, building high-tensile fences on an English farm. I enjoyed it more than "All Quiet on the Orient Express", but not as much of some of his other books.
kittiwake: (stormclouds)
Death. A wall that had suddenly appeared before me. One short climb over it and I was free to drop from the other side, my worldly cares dissolving as I fell.
Death. I could say it now, knowing that I finally had the measure of its power.
Death. Each time it formed on my silent lips, it shrank a little.
Death. The word replaced the sound of my heart.
Death. Reduced to a dictionary position.
Death. Its strength vanishing.
Death. Smaller still.
Death. Smaller.
Gone.

And Life.


This was actually quite an unpleasant book, and not one to read while eating. I nearly didn't make it to the end, when all was explained and wrapped up neatly.
kittiwake: (stormclouds)
The new witness was a young boy whose excited account left no doubt that he had heard the impossible sounds.
"And how would you describe these - sensations?" Elder Averyman completed the question.
"It was like a lot of crazy shouts that kept bouncing against my face. And when I put my hands over my ears I kept on hearing them."


Jared Fenson lives in the Lower Level, and has no concept of light and darkness, since he lives in an underground world of caverns and tunnels and uses sound to perceive his surroundings, as do the inhabitants of the Upper Level. The main living areas have echo-casters that allow people to hear their surroundings without using the click stones that they carry when they move around the tunnels. A third group of humans in this underground world, known as the Zivvers, are descended from an single mutant outcast who was born with the ability to use temperature differences for thermal-imaging. They can protect themselves from the giant soubats with spears and bows and arrow, but none of them are prepared to deal with the monsters with flapping skin folds, who invade the tunnels with silent, screaming sound.

This book has a similar theme to Galouye's "The Last Perception", in which humans are driven mad by re-discovering a lost sixth sense called zylphing. Very interesting indeed.

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June 2012

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